Home / Travel Blog / Blog Details

Zhangjiajie National Forest Park, located in the northwestern part of Hunan Province, is one of China’s most breathtaking natural wonders. Known for its towering sandstone pillars, mist-shrouded peaks, and lush subtropical forests, this UNESCO World Heritage Site has become a bucket-list destination for travelers from around the globe. Among its many attractions, the Ten-Mile Gallery (Shili Hualang) stands out as a scenic corridor that offers a relatively flat and accessible route through the park’s dramatic landscape. The tram that runs through this gallery is a popular choice for visitors who want to soak in the views without the physical strain of a long hike. But for wheelchair users and travelers with mobility challenges, the question of accessibility looms large. Is the Ten-Mile Gallery tram truly wheelchair-friendly? What are the real-world challenges and triumphs of navigating this iconic site with a wheelchair? In this blog, we’ll dive deep into the current state of wheelchair access on Zhangjiajie’s Ten-Mile Gallery tram, explore the broader context of disability travel in China, and offer practical tips for planning an inclusive trip to one of the world’s most famous national parks.
The Ten-Mile Gallery is not just another scenic spot in Zhangjiajie; it’s a unique microcosm of the park’s geological wonders. The name “Ten-Mile Gallery” is somewhat poetic—it refers to a stretch of trail that runs for about 5 kilometers (roughly 3 miles) along the base of the towering quartzite sandstone pillars. The trail itself is relatively flat, making it one of the most accessible natural routes in the park. This is a critical detail for wheelchair users because many of Zhangjiajie’s other attractions, such as the famously steep Tianzi Mountain or the glass-bottomed Zhangjiajie Grand Canyon Bridge, involve significant elevation changes, long staircases, or narrow pathways that can be nearly impossible to navigate with a wheelchair.
The tram that operates along the Ten-Mile Gallery adds another layer of convenience. It’s a small, open-air electric tram that shuttles visitors from one end of the gallery to the other, allowing them to see the towering rock formations—some of which resemble animals, mythical creatures, or human figures—without having to walk the entire distance. For wheelchair users, the tram represents a potential lifeline: a way to experience the grandeur of the park without the physical exhaustion or logistical nightmares of manual wheelchair propulsion over uneven terrain.
But here’s the catch: the tram’s accessibility is not as straightforward as it might seem. While the park’s management has made strides in recent years to improve inclusivity, the reality on the ground can be a mix of progress and persistent barriers.
Let’s start with the tram itself. The Ten-Mile Gallery tram is not a standard enclosed train like those found in urban subway systems. It’s a low-slung, open-sided electric vehicle with bench-style seating that runs on a fixed track. The tram stops at designated stations along the gallery, and passengers board from a raised platform. For a wheelchair user, the first challenge is the gap between the platform and the tram’s floor. In many cases, this gap can be several inches wide and several inches high, making it difficult or impossible to roll a wheelchair directly onto the tram without assistance.
Some visitors have reported that park staff are willing to help by placing a portable ramp over the gap, but this is not a standardized procedure. The availability of a ramp depends on the specific staff member you encounter and whether they have been trained to assist wheelchair users. In my own research and conversations with travelers who have visited the park, the feedback is mixed. Some say the staff were incredibly helpful, going out of their way to ensure a smooth boarding process. Others describe a more frustrating experience, where staff seemed unsure of how to assist or simply gestured that the tram was not designed for wheelchairs.
Once on board, the seating arrangement poses another issue. The tram’s benches are fixed, and there is no designated space for a wheelchair to park securely. This means that a wheelchair user must either transfer from their chair to a bench seat (which requires upper body strength and balance) or sit in their wheelchair in the aisle, which can be cramped and may block other passengers. The tram is not equipped with wheelchair tie-downs or securement systems, so the wheelchair may shift or roll during the ride, especially if the tram makes sudden stops or takes sharp curves along the track.
For manual wheelchair users, this can be a nerve-wracking experience. For power wheelchair users with heavy, motorized chairs, the lack of securement is even more concerning. One traveler I spoke with, a power wheelchair user from the United States, told me that she had to hold onto the tram’s handrails with one hand while gripping her wheelchair’s joystick with the other, bracing herself for every turn. “It was not relaxing,” she said. “I spent more time worrying about falling out of my chair than looking at the rocks.”
If the tram proves too challenging, the Ten-Mile Gallery trail itself is an alternative worth considering. The trail is paved with concrete or asphalt for most of its length, and it is relatively flat, with only gentle inclines. This makes it one of the most wheelchair-friendly natural trails in all of Zhangjiajie. However, “wheelchair-friendly” is a relative term. The trail is not completely smooth; there are sections where the pavement has cracked, buckled, or been damaged by tree roots. There are also occasional drainage grates, loose gravel patches, and narrow spots where the trail squeezes between rock walls.
During peak tourist seasons, the trail can become extremely crowded, with hundreds of visitors walking shoulder to shoulder. For a wheelchair user, navigating through this throng of people can be exhausting and frustrating. Some visitors are oblivious to the needs of wheelchair users and may block the path, step in front of the wheelchair, or fail to move aside when asked. Others are more considerate, but the sheer volume of people can make the experience stressful.
Another practical consideration is the distance. While 5 kilometers might not sound like much, pushing a manual wheelchair over that distance, even on relatively flat ground, can be physically demanding. For power wheelchair users, the battery life is a concern. There are no charging stations along the trail, so you’ll need to ensure your battery has enough charge to cover the round trip. And if you plan to take the tram in one direction and walk back, you’ll need to account for the time and effort required.
The Ten-Mile Gallery is just one small piece of the Zhangjiajie puzzle. To get to the gallery, you first need to enter the park, which involves its own set of accessibility challenges. The main entrance to Zhangjiajie National Forest Park is located in the town of Wulingyuan. From there, you can take a shuttle bus to the Ten-Mile Gallery station. The shuttle buses are large, air-conditioned coaches, but they are not universally accessible. Most shuttle buses have several steps at the entrance, and there is no lift or ramp. This means that wheelchair users often need to be lifted into the bus by companions or by park staff. This is not only undignified but also potentially dangerous for both the wheelchair user and the people doing the lifting.
Once you arrive at the Ten-Mile Gallery station, you’ll find a ticket booth, restrooms, and a small waiting area. The restrooms are a mixed bag: some are equipped with accessible stalls, while others are not. The accessible stalls, when they exist, are often used for storage or are locked, requiring you to ask a staff member for the key. This is a common issue in Chinese public restrooms, and it can be particularly frustrating for wheelchair users who need to use the facilities urgently.
The ticket booth itself is usually at a standard height, which can be difficult for wheelchair users to reach. However, many visitors have reported that staff are willing to come around to the side of the booth to assist with ticketing. It’s always a good idea to have your phone or a small notebook ready to communicate your needs if you don’t speak Mandarin.
One of the most important factors in determining the accessibility of the Ten-Mile Gallery tram is the attitude and training of the park staff. In recent years, China has made significant progress in disability rights and accessibility legislation. The 2018 amendment to the Law on the Protection of Persons with Disabilities included provisions for accessible transportation, public facilities, and information services. However, implementation at the local level varies widely.
In Zhangjiajie, the park’s management has made some efforts to train staff in disability awareness, but the results are inconsistent. Some staff members are genuinely helpful and proactive, offering to call for assistance, locate ramps, or clear a path through the crowd. Others seem uncomfortable or unsure of how to interact with wheelchair users, and may avoid making eye contact or offering help.
Cultural attitudes toward disability also play a role. In China, disability is often viewed through a medical lens, with an emphasis on “curing” or “fixing” the individual rather than on removing environmental barriers. This can lead to a situation where park staff see a wheelchair user as a problem to be solved rather than a customer to be served. The concept of universal design—creating spaces and services that are usable by everyone, regardless of ability—is still relatively new in China, and it will take time for it to become embedded in the tourism industry.
If you’re a wheelchair user planning a trip to Zhangjiajie’s Ten-Mile Gallery, here are some practical tips to help you navigate the experience:
Before you go, contact the park’s official visitor services or check their website for the most up-to-date accessibility information. While the park’s website is primarily in Chinese, you can use translation tools to find relevant details. You can also join online forums or social media groups for disabled travelers in China to get firsthand advice from people who have been there.
Having a travel companion who is physically able to assist with lifting, navigating crowds, and communicating with staff is almost essential. While it’s possible to visit the park alone, the challenges of boarding the tram, using the restroom, and dealing with unexpected obstacles will be much easier with an extra set of hands.
Visit during the off-season or on weekdays to avoid the worst of the crowds. The park is busiest during Chinese national holidays like National Day (October 1-7) and the Spring Festival (Chinese New Year). During these periods, the trails and trams are packed, and accessibility issues are magnified.
Bring a small backpack with essentials like water, snacks, sunscreen, and a rain jacket. Also, carry a portable ramp if you have one. While park staff may have ramps available, having your own ensures you’re not dependent on their availability. A small toolkit for minor wheelchair repairs (e.g., a tire pump, Allen wrenches) can also be a lifesaver.
If you decide to take the tram, try to board at the beginning or end of the line, where there may be more space and less crowding. Ask the staff to help you board first, before other passengers. If you’re using a manual wheelchair, consider transferring to a bench seat and having a companion fold and store your wheelchair. If you’re using a power wheelchair, be prepared to hold onto the handrails and brace yourself during the ride.
English is not widely spoken in Zhangjiajie, especially among park staff. Learn a few key phrases in Mandarin, such as “Wo xu yao bang zhu” (I need help), “Qing wen can ji ren she shi zai na li?” (Where are the accessible facilities?), and “Xie xie” (Thank you). You can also use a translation app on your phone to facilitate communication.
Despite the challenges, the Ten-Mile Gallery is a truly spectacular place. The rock formations are unlike anything you’ll see anywhere else in the world. Take time to appreciate the views, snap photos, and enjoy the fresh mountain air. The experience of being surrounded by these ancient, towering pillars is something that no accessibility barrier can diminish.
Zhangjiajie is not alone in its accessibility challenges. Many of China’s most famous national parks, including Huangshan (Yellow Mountain), Jiuzhaigou, and Guilin’s Li River, have similar issues. However, there are signs of progress. In recent years, the Chinese government has invested heavily in tourism infrastructure, and some parks have begun to introduce accessible features such as ramps, elevators, and accessible restrooms. The Great Wall of China, for example, now has a cable car and a wheelchair-accessible section at Badaling. The Forbidden City in Beijing has installed ramps and accessible pathways.
For wheelchair users, traveling in China requires a combination of patience, flexibility, and a sense of adventure. The infrastructure is not yet where it needs to be, but the natural beauty and cultural richness of the country make it worth the effort. By visiting places like the Ten-Mile Gallery and sharing your experiences, you are helping to raise awareness and push for change.
I am not a wheelchair user myself, but I have traveled extensively with friends and family members who use wheelchairs. I have seen the joy on their faces when they find a trail that is smooth, a ramp that is well-designed, or a staff member who goes out of their way to help. I have also seen the frustration, the exhaustion, and the disappointment when a promised accessible feature turns out to be inaccessible in practice.
The Ten-Mile Gallery tram is a microcosm of the larger struggle for accessibility in tourism. It is a place of incredible beauty, but it is also a place where the gap between intention and reality is painfully clear. The park’s management has made some efforts, but those efforts have not yet resulted in a truly inclusive experience. The tram is not fully accessible. The trail is not fully accessible. The shuttle buses are not fully accessible. And the cultural attitudes toward disability are still evolving.
But here’s the thing: change is happening. Slowly, yes, but it is happening. More and more travelers are demanding accessibility, and more and more destinations are responding. The conversation around inclusive tourism is growing louder, and places like Zhangjiajie are being held accountable. As travelers, we have the power to contribute to that conversation by sharing our experiences, advocating for better infrastructure, and supporting businesses that prioritize accessibility.
The Ten-Mile Gallery tram is a beautiful, iconic, and deeply memorable way to experience one of China’s most stunning landscapes. For wheelchair users, it is a mixed bag of opportunities and obstacles. With careful planning, a supportive companion, and a willingness to adapt, it is possible to have a rewarding visit. But it is also important to be honest about the limitations. The tram is not designed with wheelchair users in mind, and the park’s overall accessibility leaves much to be desired.
If you are a wheelchair user considering a trip to Zhangjiajie, I would encourage you to go—but go with your eyes open. Prepare for the challenges, celebrate the victories, and don’t be afraid to ask for help. The Ten-Mile Gallery is waiting for you, and it is worth the effort.
And if you are a non-disabled traveler reading this, I hope this post has given you a glimpse into the realities of wheelchair travel. The next time you visit a national park, consider how accessible it is for everyone. Advocate for inclusive design. Support accessible tourism initiatives. And remember that travel is a universal right, not a privilege reserved for the able-bodied.
The mountains of Zhangjiajie have stood for millions of years. They will still be there when the trams become truly accessible. Let’s work together to make sure that day comes sooner rather than later.
Copyright Statement:
Author: Zhangjiajie Travel
Source: Zhangjiajie Travel
The copyright of this article belongs to the author. Reproduction is not allowed without permission.